THE MEEKSTER AT DERBY
November 8th, 2013 by Tim
November 7th, 2013 by Tim
X Claim! with the perfectly executed hardcore graphic design and photography. I’ve stared at and studied these records for hours on end, as did so many others. These guys laid the blueprint for how so many of us went on to do things, ideologically, musically and graphically. Thanks Al Barile and crew. -Tim DCXX
DEL MAR SKATE RANCH PHOTO SHOW
November 5th, 2013 by Larry
HOW WE ROCK
November 5th, 2013 by Tim
MIKE JUDGE – PART VII
November 3rd, 2013 by Ed
I was pissed on the people coming down on YOT and Ray for the positive message of the band. But I was also wanting to lash out at YOT for not knowing when that positivity isn’t going to work to get through to people. Those guys in Detroit…nothing was going to get through to them. In my mind only one thing would get through to them. Those guys in Detroit thought they got over on us. So what good is a positive message when people are just laughing in your face about it?
Eventually we were in Florida on a YOT tour and the van broke down and we stayed at these girls’ apartment for a week and the van was parked in a junk yard. We would each take turns sleeping in the van guarding the equipment and during the day we would work in the junkyard to pay for parts to fix the van. So on my night to sleep in the van I was there I came up with the idea and name of Judge. I came up with lyrics and this and that, and Porcell came down to keep me company. He asked what I was doing and I said “when I get back to NYC I’m quitting YOT and this is what I am doing.” He was like “why, guy? Guy you can’t do that!” I said “I can’t keep doing this and letting people walk all over us.” I explained more and then finally he said “man that sounds really cool. So…do you need a guitar player?”
We sat there all night talking about this band that didn’t even really exist yet. We developed the whole plan for Judge. Before I was Mike Judge I was Mike James. I had stopped using my last name for a long time. People also called me Mike DBD. Calling the band Judge was about the band being an authority figure. Everything that you’re not supposed to be in this music…I wanted to show that and force it on people. That authority voice, that cop attitude, that hard stance. I wanted that. Something like SSD…something you saw in big block letters that was right there in your face…something that would look good as a tattoo. That’s what I had in mind. Once I said the name of the band was Judge, Porcell called me Mike Judge.
We said that at the first show we’ll do “We Just Might” because Cappo refused to sing it anymore. Porcell was on board with all of this. I already had a couple songs in mind when I told Porcell. I had things in my head from that YOT tour. Passing time on that tour, I was thinking about just shutting people up. Personally, I wanted to let those types of people know that all of that preaching that bands like YOT were doing, well I will do it too, and I will also go out of my way to shove it down your throat. And I won’t back down if you call me out on it. MRR had made YOT out to be like borderline nazis and militant, which is so ridiculous because you couldn’t be more of a pacifist than Ray. I wanted to say to MRR “you think that is bad? Oh…just wait. Just wait until you see what I have in mind.” I wanted to be as confrontational and over the top as I could.
When we got back to NY and before I quit, Cappo booked a rehearsal at Fury’s and wanted to show everyone new songs for a new YOT record because he was going to write it. It wasn’t a collaboration. It was Cappo wanting to show us what he had written. It was his deal and it was his band. I know that YOT is Porcell’s legacy too, but being in the band at that time, it was Ray’s band. There weren’t decisions made that Ray didn’t agree with.
I had made it up in my mind that night that I would tell Cappo I was done. I remember Cappo had a bass and I forget if Walter had quit or if Walter had just been filling in for Craig, but at that point there was no bass player. Cappo started showing us this song called “Blind Patriot,” and once it was time for us to hop on our instruments, nobody really moved. I said “look Ray, I’m done.” He said “wait…just like that? I said, “Yeah, just like that. Sorry.” That was it. I got up and left. I remember I got out onto the street and started walking towards the Bowery. They must have stopped the practice right there because a few minutes later Cappo walked right past me. Porcell and Richie caught up and started walking with me home and it didn’t even come up. We knew YOT was done.
Richie was a lot like I was in the context of YOT. I don’t know what would have happened if I didn’t split. I think he wanted out. He had this whole rap thing he was going to do. He wasn’t singing for Underdog but I don’t know what he was up to doing. He and Porcell were tight. In NY they always went to the gym together and were super close. In California they always wanted to go lay out in the sun together. But Richie and I had some old NY ties in common and we had gotten close with time. We shared gripes. I really liked Richie.
I liked them all and still do. I just couldn’t be in a band with Ray. We didn’t agree on everything. As a front man, he’s second to none. He’s awesome. The guy is great. He’s got charisma, he’s a wild man, and he has an awesome voice. It was great to have the best seat in the house playing drums watching him. I remember one time I was playing and using this drum rack set up and playing a college bar type deal with nobody there except college kids who were all drunk and didn’t know who we were. Cappo was trying to really get his message across and make an impact and they weren’t having it. Out of nowhere, Cappo does this crazy full on jump/dive onto the drum set and broke the rack. Going back to even the first time I saw YOT play, he was awesome. A natural.
I didn’t feel old amongst my peers in YOT or Judge. I wish I was older. I wish I could have seen the Dead Boys at CB’s. I see video of that and it almost brings tears to my eyes. I was just one year too young. I just missed it. That’s how Cappo and Porcell were about A7, they just missed it and they wanted the stories. So being a little older, it sort of got me a little respect, people wanted to hear about it. I think those guys got me to play in YOT to make them a more legitimate NY band, and I think they wanted Richie for the same reasons. They wanted that old NY thing, they wanted us in that, they wanted to share in that. Those dudes loved to talk about old NY and the early eighties scene, and when they got Richie and me – guys that actually played the A7 – it was something they wanted and I think that’s fine.
By the time I was in YOT, Ray really was a pacifist and the band had sort of calmed a bit. After I was out of the band, I didn’t really know what was going on with them. People always ask me about this and that with YOT after I left the band, like why I’m not in the No More video, for example. I didn’t even know about it. People say to me, “everyone is in that video.” Well I didn’t know anything about it. I have never heard We’re Not In The Alone, other than one song…(Keep It Up). I have been told it was written about me, I don’t know. I take it all with a grain of salt. I’m not sour about anything. I owe Cappo a lot and owe YOT a lot. It is still special to me.
When I was in YOT, the bands in the city had been getting tighter as friends. YOT and GB and Warzone…it was a fun time to be a part of what was happening in New York and we definitely had a clique. When I joined YOT, those guys convinced me to live in Brooklyn at the Schism house. It was Cappo, Porcell, Alex Brown, and me. Probably the coolest thing about that was that two of the sickest record collections were at my disposal: Ray and Porcell’s. They had it all, tons of rare shit, Dangerhouse records, stuff I had never seen, all at my disposal.
Cappo wasn’t really around a lot while I was living there because he had a girlfriend in Manhattan. Alex was around but he went to school a lot. It was mostly me and Porcell. Me and Porcell have always gotten along. But I couldn’t handle the city. Street lights that never go off, the constant noise, it was too much and I was used to visiting there but not living there. Where I was from, when it got dark outside, it got dark and it got quiet. I need to be able to go into the woods…whether it’s in my Jeep or just walking. I need to go into deep woods and just chill out. I need to do that every day. I still do it. It’s the country boy in me. I love the city, but I missed that too much.
Once Porcell and I got Judge together and had the idea to record the first songs, I was oblivious to anything happening in New York or on Revelation or anything around me. I was just consumed and on fire with Judge. I went through notebook after notebook of lyrics and logos. I didn’t notice anything else going on around me, in the scene, anywhere. I saw this thing come together in my head and then in reality and once it was off and running I was just possessed.
Later on in Judge, Porcell and I would do the night drives on tour and on the road, and we’d talk all fuckin’ night. We’d talk about life, and about a lot of music and the stuff each of us was into. We liked different shit. Like, I need to listen to Neil Young every so often or I’ll actually go crazy. We’d listen to Neil Young and talk about the song writing and structures. And Porcell has this thing for Morrissey and I don’t get that. We have our differences…but it’s hard to explain. I love the guy. If you put all our characteristics and personality traits out on the table, you’d say “there’s no way these two should hang together.” But we do, and it’s always been that way. I’m like the bad side of Porcell, I think I bring that out in him. Just like when I told him we had to play We Just Might. He was all stoked and he was like “guy you think?!?!” Like he was into it, but it was a little risky to him. You could tell he wouldn’t go to Cappo about it himself in YOT. But I could bring that to him and he’d get psyched, it was like it was justified. Porcell has a dark side and I’m the working part of that dark side. Judge has that aura of things being bad. I bring that to Porcell. I let him live dangerously…
NEW RELEASES FROM RADIO RAHEEM
October 31st, 2013 by Larry
RADIO-003: THE ABUSED – Loud and Clear LP
Radio Raheem proudly presents the first fully authorized re-issue of the ‘Loud and Clear’ ep. Pressed in the LP format, this 21-track collection is rounded out by the band’s 1982 demo and never before heard live material. Also included is a 24-page, full color booklet containing photos, lyrics and the band’s infamous show flyers drawn by their vocalist Kevin Crowley, as well as a sticker sheet of original Abused sticker designs. Finally, the most arcane and collectible piece of the early 80’s NYHC puzzle is available for both the tight pursed nerd and curious onlooker alike.
MIKE JUDGE – PART VI
October 29th, 2013 by Tim
It’s been awhile and we do apologize, but we’re finally back with part six of our interview with Mike Judge. There’s plenty more to come, so hang in there and enjoy this installment. -Tim DCXX
Seeing YOT was a total re-charge for me. It was like hearing a real hardcore band again. I had lost that. Seeing them was like allowing me to go back and erase the mistakes I had made with the musical direction we had gone in DBD. It helped me reconnect with Mark Ryan. He started Supertouch again and I just started playing with them, but I definitely wasn’t good enough to do what they were doing, especially with Biv in the mix. He was a great guitar player with great ideas and I couldn’t back him at all. I wasn’t talented enough to play what he was playing. I learned to play drums originally in DBD to simply keep a band alive. That interview with Biv on Double Cross where he talked about me was rough. He was saying how my drumming was holding the band back and how once they got Andy things were so much better and on and on. It bummed me out because I was never trying to do anything more than keep the band going. A lot of it had to do with me joining YOT. That pissed them off. Because as soon as I joined YOT we went on tour.
When I was out on tour, we were on our way home and my girlfriend at the time was like “when you get home be careful because Mark Ryan says he has guys that are gonna beat you up for the way you left.” I was like, “uh whatever, ok.” Some of the names mentioned of who was gonna beat me up were people I knew. So the last show YOT was playing on that tour was in Buffalo with Warzone. Some of the guys mentioned were part of the Warzone crew. So when I got there I was expecting something. I wasn’t worried though because Richie was with me in YOT and that guy is a wrecking crew. So I wasn’t scared. But nothing happened and nothing was even hinted at. So now we come home and at the Sunday matinee I’m thinking if it’s going to happen it will be there. So I’m walking up to the show and there’s a car parked right there out in front and the window rolls down and someone calls me over. I forget the guy’s name but it’s a Krishna guy that ran with Harley and Bloodclot. He sticks his head out and says Mike come here. He was one of the guys that had also been mentioned so I’m like “oh shit here we go.” I sort of hesitate. He’s like “come here.” I’m like “dude I’m not sticking my head in that window.” He’s like “why? I just want to talk.” I say “that’s fine but I’m just not sticking my head in that window.” So he got out and is like “you don’t really think I’m gonna do something to you for Mark Ryan, do you?” He’s like “I would never do anything like that, man.” Me and Mark never really talked at all after that. We were old friends, there were plenty of people playing in other bands, Supertouch had nothing planned. I didn’t leave them stranded or in a bad spot. But it rubbed him the wrong way. There may have been a little thing with him and Cappo that fueled it, but I didn’t do anything wrong. Everyone was in multiple bands…Arthur, Walter, a lot of guys. It just sucked when I read that Biv interview because it made it sound like I held that band back. It seemed unnecessary. Those guys never talked to me and I didn’t talk to them. I saw Mark when I was on BNB radio and it was fine.
Pretty quickly once I was in YOT, I felt like I didn’t belong with those guys. The differences were becoming very obvious to me. I didn’t grow up like Cappo or Porcell. But I needed a band like that because it brought back a music I loved and they were doing it. When they needed a drummer, they moved to New York. I had seen them in Philly and dug it and it reignited something and so I started Supertouch again and got me into it and hanging out in the city. So once they moved down we crossed paths a lot. I think it was the Cro-Mags at the Ritz and I was walking by the pizzeria on St. Marks and Cappo comes running out. He’s like “Mike, we need a drummer for YOT. What do you think, do you wanna try out?” I was like “I mean…I guess, I’ll try out.” He says “that’s awesome” and tells me when and where. At the show, I see Porcell and he says “man I heard you are trying out I am so psyched, I really wanna be in a band with you!”
So I come home and I set up my drums at my girlfriend’s house. I got the Break Down The Walls record playing in my headphones and I can’t even come close to Drew on that. I realize there’s no way I’m getting in that band. I tell Mark Ryan to tell those guys there’s no sense in me even trying out, I can’t play at that speed. Cappo tells Mark I have to just come and try out anyways, begging Mark to get me there. So I go to Giant Studios on 14th street, total shithole. It’s Richie, Cappo and Porcell, and Richie is on guitar and I am playing with him. I can’t even keep up, I’m not even close. I realize it’s over and it’s not for me. I’m already in my mind headed home. So they all go outside to talk and I’m ready to go home because I know it’s over, I’m just sitting there. They come back and are like “you got the gig, we’re going to Canada!” I’m like, “what?” It didn’t even make sense why they would want me. The next night we rehearse again and I try to play faster and it’s not great but it’s better. I’m just so stoked. Here’s this band that got me back into it and I’m in the band going on tour.
So we go to Canada but right away the differences start popping up. I was different than them. My fuse was short. It’s not the right way, but I settle things with my hands. If I try to talk I stumble over my words and hit you anyways. Richie was the same way. He was a well-spoken guy but he had a violent streak. I didn’t know him prior to that. I didn’t know him from the early NY scene, we didn’t cross paths. I didn’t know Craig but I had seen him once when NYC Mayhem opened for the Cro-Mags. I really didn’t know these guys, and I didn’t like talking to people, and covered up the shyness with a violent act or two. Richie was very smart and well-spoken but could turn on the violence in an instant. Nasty guy. Craig…I love Craig and he has a heart of gold and is an innocent guy who can be easily taken advantage of and I saw that happen within the band. Being stuck in a van with guys…if you aren’t meshing, things can go horribly wrong. I don’t know if Cappo got off on humiliating Craig but it drove me nuts. I would catch myself laughing and then it made me hate myself and hate the guy who told the joke.
It boiled over with being in Detroit one night. This band playing that night didn’t like YOT and was throwing deer meat and guts and shit on stage as we played. I forget the band. They were corny. I wasn’t vegetarian, but it was the disrespect that really fucking pissed me off. I wanted to send them all home in a box. I was ready to stop playing and handle it. Richie was too. We got done and we’re off in the corner and I’m telling Cappo “let’s go fucking save face.” He was saying something but it was like Charlie Brown teacher talk to my ears. Unless it was “let’s go kill them,” I didn’t hear it. Richie and I are ready to go confront these guys ourselves. So finally Cappo says “ok look, we’ll all go together.” I’m like fuck yeah, this is on. So we march up to these fucking cats and I am just waiting for the signal, following Cappo. We get up to them and just when it is about to happen, Cappo recites 7 Seconds lyrics to the guy, and marches off. I’m like “what? That’s it?” These guys were laughing at us right in our faces. I was dumbfounded. I realized: I don’t feel this way. I don’t want to forgive. I’ll forgive, but not right yet. I’ll forgive…but for now I am going to fuck some people up.
There were smaller things, too. At some other show this guy comes up to the table and is giving Cappo a hard time about the cost of the record. And then he gets belligerent and says “fine I don’t want this shitty record anyway.” I’m standing there with Cappo, and I basically go to push Cappo out of the way to clock this fucking guy and Cappo steps in and right there in front of everybody gives me this scolding. I was like “WHAT?” He was always telling me I can’t do that, I can’t pop off like that. I just wanted out, I hated that feeling of being castrated. I didn’t go out of my way to look for fights, but I didn’t feel like everything was settled with Kevin Seconds lyrics. It doesn’t always work. Some people need a fucking beating.
OBEY x SUICIDAL TENDENCIES
October 22nd, 2013 by Larry
OBEY Clothing teamed up with Suicidal Tendencies for release a clothing collection celebrating the 30th Anniversary of the release of the first Suicidal Tendencies record. They took the iconic graphics of Ric Clayton and the original line drawings done by Lance Mountain as the base of the collection. The idea was to pay homage to the original artists behind the Suicidal graphics as well as celebrate the history and influence Suicidal Tendencies has had on Shepard and OBEY.
NHS MUSEUM WALK THROUGH
October 19th, 2013 by Larry
Santa Cruz Skateboards is celebrating their 40th anniversary with an epic skateboard museum at their warehouse in Santa Cruz. Thrasher Magazine gives us a walk through and some history.