NYHC 1980 – 1990 THE RAW INTERVIEWS – RAY CAPPO PART II
January 29th, 2015 by Tony
RAY AND WALTER WITH YOUTH OF TODAY IN WIGAN, UK, 1989
When Porcell and I started Youth of Today, we wanted to take it seriously. We thought Straight Edge was an important message. We wanted to take it seriously and travel around the world. I guess it was a lofty idea. Our dream was to put out a record and travel around America and we ended up doing so much more than that.
It became quite a phenomenon very quickly. We played at CBGB’s in New York with Agnostic Front and Damage. It was right before ‘Can’t Close My Eyes’ came out. I’m a big mouth, and I was really into Straight Edge. Back then, no one was Straight Edge in New York so I really went off and had a little bit of an attitude.
So, we played this show at CBGB’s and left and went to California to tour with 7 Seconds. They put out our single on their label, Positive Force. We got back and everybody was Straight Edge. It was unbelievable.
I remember coming back from that tour and seeing Todd Youth on the street and he grabbed me and said ‘Check this out, I’m Straight Edge now!’ I was like ‘You’re kidding!’ and he was like ‘No, even Raybeez is Straight Edge’ and I was like ‘Now I know you’re kidding’. I knew Raybeez from hanging out from way back and he was far from Straight Edge. Sure enough, we go to hang out with Raybeez and he’s got an X on his hand and says to me ‘We’re all Straight Edge now!’
It was also after when we came back from that tour of California with 7 Seconds, we decided to move to New York City and it took over New York quick.
RAY WITH YOUTH OF TODAY AT CBGB, NYC
The timing was so right because there was this whole influx of new people. There was this generation of kids like us who loved the old New York scene. We loved Agnostic Front, Cause for Alarm, The Abused and Urban Waste, but wanted to put our own stamp on it.
I think that era of NYHC in 1985 was when it really came into something. For people to think Hardcore stopped in 1985; maybe that’s just because they weren’t into Hardcore anymore. It might have been a personal thing. Truthfully, that’s when New York took off. Look at the bands that came out of that era: Sick of It All, Youth of Today, Agnostic Front and Cro-Mags. A big part of the New York scene happened post-’85. That’s when Agnostic Front became a global band.
Again, that’s not to take anything from the earlier era. ’82 NYHC was really cool, but it never really left New York. The Abused and Urban Waste were cult bands. Once again, that doesn’t take anything away from them. If there were no Urban Waste or The Abused, there definitely would be no Youth of Today because we literally copied them.
RAY WITH YOUTH OF TODAY AT CBGB, 1987 | PHOTO: BRIAN J QUINN
But Youth of Today brought a suburban element to the NYHC scene. I guess there was always a suburban element to the scene, but I think Youth of Today made it easier not to be a bad ass to hang out. You don’t have to be a criminal to hang out. You don’t have to be a drug addict to hang out.
Truthfully, a lot of the people that fell in on the Lower East Side and squatted down there, most of them were not from New York City. Not many people grew up in New York City. New York City was a hub. There was an influx of kids from the suburbs that would come up. There were kids that thought ‘I can relate to Hardcore, but I can’t relate to the negative elements’. To me, that was real deterrent because I wasn’t into drugs or the ‘live fast die young’ thing. The Straight Edge thing let you become a part of that scene but still have ethics, morals and self-integrity. That being said, the music was the common thread that brought all these different personalities all together.
When Jordan and I started Revelation and put out the ‘Together’ compilation, we really thought we were representing what NYHC was at the time. We were together and coming from all different places and coming together in the collective of alternative music. Truthfully, we were the alternative to what was going on back then. It was a great time to be in New York and making music.
RAY AND PROCELL WITH YOUTH OF TODAY AT THE STAMFORD, CT ANTHRAX
NYHC 1980 – 1990 – THE RAW INTERVIEWS – RAY CAPPO – PART I
January 20th, 2015 by Tony
RAY CAPPO AND CRAIG AHEAD WITH YOUTH OF TODAY AT CBGB’S, NYC, 1986 | PHOTO: KATHLEEN TOBIN
First off, I would personally like to thank everyone who snagged a copy of ‘NYHC 1980 – 1990′. I am truly humbled by the response the book received. The demand for the book was so out of control in fact that the first printing dried up rather quickly and left some out in the cold in regards of getting a copy. But don’t fear! The second printing of ‘NYHC 1980 – 1990′ will be hitting the book store shelves in the next few weeks with added photos and much more.
To celebrate both the reaction to the first printing and the upcoming second printing, I decided to go back into the vaults and pull out another interview conducted for the book and throw it up here on DCXX. This time around, we have a lengthy interview with all around NYHC icon, Ray Cappo.
This interview will be split into several installments due to its length, but in this first part, Ray speaks about his introduction into the Hardcore scene and the formation and initial shows of his first band, Violent Children.
Enjoy — Tony
RAY CAPPO GOES FOR A DIVE AT THE ANTHRAX DURING BOLD, 1987 | PHOTO: UNKNOWN
Truthfully, I didn’t even know anything was going on in Connecticut even though Connecticut had a very striving scene. I lived in Danbury which was an hour and fifteen minutes from New York City on the Metro North train. My parents were sort of New Yorkers and my brothers and sisters were all older and they lived in the city. I used to go to New York City on weekends and my parents were cool with it because they figured I’d stay with my brothers or sisters and everything would be cool. Little did they know! I would just say ‘I’m going to see some music this weekend’. I’d keep it pretty vague. They had no idea I was hanging out on the Lower East Side all weekend. My first real introduction was I liked alternative music. I wasn’t quite sure of what Hardcore was at that point. Then I stumbled into CBGB’s when the UK Subs were playing one night. The Young and The Useless were playing, which was guys from the Beastie Boys. Once I saw the Young and The Useless, I thought ‘These are kids that are my age. I can do this’.
Usually, growing up in a suburban American high school environment, if you’re in a band, you’re in a cover band; at least back when I was growing up. Kids were playing the best of AC/DC, the best of Rush, the best of Journey. I always thought that was so lame. So when I saw these bands that weren’t technically good, but playing from their heart in some random nightclub, I thought it was the coolest thing ever.
I was with a girlfriend at the time and she goes ‘Ray, you could do this! You should start a band!’ So when I got back to my typical American high school, I grabbed three of my friends who were the only three guys into alternative music and said ‘Let’s start a band’. That’s when we started the band Violent Children.
RAY WITH THE STAGE MOSH DURING AGNOSTIC FRONT AT CBGB’S, NYC | PHOTO COURTESY OF: ALEXA POLI-SCHEIGERT
From then on, CBGB’s became my escape from my world. It was a great place. You could see incredible bands for three dollars. It was almost like walking into a comic book with super heroes and villains and characters that were bigger than life. That’s what the New York scene was like. The characters on the scene were bigger and more colorful than the black and white people in your high school. There was no Raybeez or Vinnie Stigma or Harley Flanagan in your high school. These guys were bigger than life. When you would go back to your high school on a Monday morning and try to explain the bands you saw or how you saw one guy hit another guy over the head with a beer bottle, people would ask ‘Where do you go where you see people hitting each other over the head with beer bottles?’ At that point in life, the only place you should be seeing something like that is in a movie.
In 1982, there were barely any records. The only bands from New York that had records out were the False Prophets, Kraut and The Misguided. The only places you could hear this stuff were on these late night college radio shows. In my hometown, was the Danbury State College radio station and there was a radio show where it would be a mix between Duran Duran or INXS or Men Without Hats or Oingo Boingo with stuff like Dead Kennedys or Flipper or Youth Brigade or Minor Threat. So we thought ‘Let’s make a demo tape and get it played on this radio station!’ We made this really shitty demo tape and then we went to this radio station at midnight and threw pebbles against the window and the guy opened the window and we were like ‘Hey! We’re in a Hardcore band!’ The guy was so psyched that Danbury, Connecticut had a Hardcore band. We asked him to play our demo and he actually played our demo. He was saying ‘We have Danbury Connecticut’s only Hardcore band Violent Children in the studio!’ It was so cool.
That night, we got two phone calls. One was the guy who owned the club The Anthrax, which wasn’t quite a club yet. He said they were doing a benefit to open the Anthrax and he wanted us to play. He explained how The Anthrax would be an art gallery and a band hangout place. We got our first gig from that radio show. Check out the lineup: Violent Children, CIA, Agnostic Front, Cause for Alarm, Hose, Reflex from Pain and Lost Generation. It was a big massive line-up. We couldn’t believe we were going to be playing with all our favorite bands. When you’re in high school and your favorite band is Aerosmith, you’re never going to play with them. But here we were, listening to these bands and we’re playing our first gig with them.The second phone call was from Johnny Stiff calling in from New York. He booked shows at A7 and CBGB’s and offered us a show. So, from being on one radio show, we went from being a local band to getting out of state gigs.
At the Anthrax benefit, we were the second band on the bill and after the set, the police busted in and raided the place because we were all underage. All the underage people were hiding under the stage for the rest of the night. For a sixteen year old kid, it was probably the most exciting thing to happen. For your band to be playing with all your favorite bands at a big show and now it gets raided by the cops and you got to get home without your parents finding out. You had to get home without your father knowing you borrowed his car. It was a whole new, exciting thing.
YOUTH OF TODAY – “WE’RE NOT IN THIS ALONE” FISTS/ROPE ART
May 1st, 2014 by Tim
YOUTH OF TODAY – “WE’RE NOT IN THIS ALONE” FISTS/ROPES SHIRT
Following the two other Youth Of Today shirt art entries we did, I questioned Porcell about the Youth Of Today – “We’re Not In This Alone” fist/ropes design and the alternate version of that art that was used on a flyer. Here’s what he had to say:
“The Youth Of Today – “We’re Not In This Alone” fist/ropes design was done by an art director out of a Rhode Island merch company, that had no connection to hardcore. I can’t recall the name of the merch company, but they also did Gorilla Biscuits shirts and those famous, “This Is Not A Fugazi Shirt” shirts. As for the Living Room show flyer with the fists/chains, that must have come after the the shirt design, but was based on the shirt. - Porcell”
LIVING ROOM SHOW FLYER
THE YOUTH OF TODAY FIST ART
April 15th, 2014 by Tim
MALL BOUGHT YOUTH OF TODAY – “BREAK DOWN THE WALLS” SHIRT
Following the theme of the Youth Of Today – “Youth Crew 88” shirt design post, I got a little info out of Porcell regarding the original Youth Of Today X’ed fist art. Anyone that’s familiar with Youth Of Today, is sure to be familiar with their classic X’ed fist logo. The art has appeared on countless shirts, stickers, pics, flyers and plenty of tattoos and here’s what Porcell had to say about it…
The original Youth Of Today X’d up fist was done by this Mahopac, New York kid named Herbie Straight Edge. Herbie originally drew the fist on the back of a gas station type jacket. Herbie became a skinhead and started drinking so he gave the jacket to Cappo. We traced the fist art off the back of the jacket and used it for Youth Of Today. -Porcell
WISHINGWELL RECORDS YOUTH OF TODAY – “BREAK DOWN THE WALLS” SHIRT
YOUTH CREW 88
April 10th, 2014 by Tim
ARTHUR WITH GORILLA BISCUITS AT THE ANTHRAX, WEARING A YOUTH CREW 88 LONG SLEEVE | PHOTO: BRIAN BOOG
A few days ago, I was flipping though a pile of my hardcore shirts and I came across my original Youth Of Today “Youth Crew 88” shirt. I had to stop and stare at it for a few minutes just to soak in how much of a well done and classic design it is.
Every time I see a Youth Crew 88 shirt, I can’t help but to think back to the first time that I ever saw one. It was March 19th 1989 and I was standing in line for a show at Club Pizazz in Philadelphia. It was a Soul Side, Krakdown, Insted, Vision show, (Soul Side and Krakdown never showed up.)
Regardless, there were a ton of people there and the line to get in the show was massive (or at least it seemed so at the time.) I remember standing in that line and watching multiple people walk up wearing those Youth Crew 88 shirts and just thinking, “wow, that new YOT shirt might be the coolest one yet!” And YOT had no shortage of cool looking shirts prior to this one, but something about how clean and simple it was just made it stick out.
Over the past 25 years since seeing the YOT “Youth Crew 88” shirt for the first time, it’s remained a favorite of mine. When I came across my original the other day I started wondering who might have designed it. The thought had never crossed my mind, but for whatever reason, it occurred to me that it looked like something Alex Brown might have had a hand in. Instead of letting my curiosity get the best of me, I shot a quick email to Porcell to see if I could get the lowdown. Porcell did indeed confirm, Al Brown was the man behind the classic Youth Crew 88 shirt.
I decided to shoot Alex an email to see if he had any memories he could share and here’s what he had to say…
It was designed prior to Youth Of Today’s 1988 summer tour at the apartment that Porcell, Ray and I were sharing in Brooklyn. I don’t remember what the inspiration for the design was but I must have wanted it to look like some sort of team logo. I was really into the way the first couple of SSD records looked and I suppose that could be cited as a motive for the typeface I used; something bold and clean. I think that Ray or Porcell probably had some input but they most likely left me to do my work without to much interference.
As for the heavy Youth Crew theme with “Youth Crew 88” on the front and “Youth Crew Across America” on the back, I think we all thought it was just sort of a cool moniker to attach to our group of friends and musicians. To throw it in everyone’s face was always fun too. As for the photo that was used; again, can’t remember who’s decision it was to use that particular pic but it’s a pretty great photo and it’s easy to see why we used it.
YOUTH CREW 88 BACK ART
LIVE FAST DIE YOUNG WAS JUST A FAD
April 1st, 2014 by Tim
YOUTH OF TODAY AT THE RAT, BOSTON, 1986 | PHOTO: BRUCE RHODES
In 1986, when I was first discovering punk and hardcore, I got my hands on a cassette of Youth Of Today’s -“Break Down The Walls”. As a 12 year old kid, up until that point, everything punk to me seemed to be about chaos, anarchy, violence, destroying the government, getting wasted, self destruction, looking as outlandish as you possibly could, etc., none of which appealed to me much. Sure I liked the music, but I couldn’t really gel all that much with the message and the image. When that tape of “Break Down The Walls” crossed my path, I suddenly found something that I identified with. The message was positive, rational, inspiring and simply made sense in every way. I remember looking at the cover photo and the lyric sheet photos and thinking to myself, unlike a lot of the bands that I liked at the time, “these guys don’t look like freaks”. Not that I was a jock at all in 1986/1987, quite the contrary actually, I was 100% skateboarder, but Youth Of Today’s image seemed like a legit light in the dark at that time, an image I could see in myself, they were almost the outcast’s of the outcasts. Still to this day, I look at them as the perfect hardcore band, the band that changed and defined my life and millions of others, whether they realize it or not. Say what you want about them, but you can’t deny the massive impact they’ve left on the hardcore scene and people in general.
And by the way, if you’re Straight Edge, vegetarian, like any of the bands on Revelations Records or pretty much any Straight Edge Hardcore band of the late 80’s, chances are that you’ve been affected by Youth Of Today’s influence. I honestly don’t think people understand just how massive of an impression this band left. When Youth Of Today came through the bigger cities in America, most of those scenes were never the same. Youth Of Today weren’t just another hardcore band or just another Straight Edge band, they’re impact was next level and chances are, a lot of the bands you like, would have never existed without Youth Of Today.
“And this flame will keep on burning strong” – Tim DCXX
YOUTH CREW ACROSS EUROPE
March 19th, 2014 by Larry
YOUTH OF TODAY EUROPEAN TOUR 1989 | PHOTO: UNKNOWN